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boss od 20 manuale italiano

Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The BOSS Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. The BOSS Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. The manual should be You get 22 different kinds of distortion sound, from vintage No part of this publication may Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (separate sheet). These sections provide important information concerning the proper operation of the unit. The life of these batteries may be limited, however, since their primary purpose was to enable testing.If using some other make of connection cable, please note the following precautions. Connecting to an MTR or Mixer Simulator) When effects are off, the sound coming in through the INPUT jack is output unchanged. At the factory settings, Pedal mode is set to “1.” When changing the Pedal mode settings, refer to p. This combining of the OD-20 and the amp channels allows you to get an even wider variety of distortion sounds. The MEMORY indicator and the indicator for the currently selected memory blink, and the OD-20 is put into write standby. fig.12 3. Press the MEMORY SELECT button to select the memory (number) to which you want to store the sound. The MEMORY indicator and the indicator for the currently selected MEMORY number start to blink, and the OD-20 is put into write standby. fig.16 Blink Write standby. And the OD-20 is returned to the status in effect in Step 2. Blink Writing Blink rapidly. Turning the knob to the right (clockwise) creates a stronger distortion and increases the volume.

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Turning this all the way to the TURBO range increases the effect even more. LEVEL Knob Adjusts the volume. The indicator flashes while the OD-20 is in write standby; the indicator flashes more rapidly while the write operation is in progress.Those companies are not affiliated with BOSS and have not licenced or authorized BOSS’s OD-20. Their marks are used solely to identify the equipment whose sound is simulated by BOSS’s OD-20. OD-1 Models the BOSS OD-1. This blinks when you turn a knob to change the value of a setting, or put the OD-20 into write standby while a memory is selected, and blinks rapidly while data is being written. The power comes on when a plug is inserted into the INPUT jack, and goes off when it is unplugged. When using the OD-20 in dimly lit surroundings, you can confirm memory numbers more easily by using the Lighting Pattern 2 setting. Memory Memory 1 (p. 23) Settings Memory 2 (p. 24) Memory 3 (p. 24) Memory 4 (p. 24) Pedal Mode (p. Check the connections again. Does the amp’s channel switch match the polarity of the OD-20’s Amp Control. The OD-20’s Amp Control is shorted. FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. Just now I was morbidly curious and I put it at the beginning of a pedal board with 15 pedals. DS-1 is screaming in quality tone. I never liked the original.All of the distortion sounds are crap.every single one of them is incredibly hollow, and tinny sounding, no matter how you mess with the eq. And the attempts to model the old fuzz pedals from back in the day, and various marshall pedal effects are embarrasing. I've played these individual pedals before.and the od-20 is a sad, sad excuse for any guitar player to poor to buy the individual pedals (like me) Solid.wouldn't ever break, i dont believe. I play with a b.c.

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rich platinum warlock, through a crate 212 amp (the new glx model).it's not me or my equipment.it's this pedal that made me sound horrible. I promptly sent it back, and i wouldn't recommend it to anyone on this planet. The od-20 is horrible.dont let it deter you from buying boss, its the best pedal company around.but the od-20 is just not up to their standards.or anyone's, for that matter.By using our services, you agree to our use of cookies. Find out more. Used: Very GoodPlease try again.Please try again.Please choose a different delivery location.In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Register a free business account Please try your search again later.Amazon calculates a product’s star ratings based on a machine learned model instead of a raw data average. The model takes into account factors including the age of a rating, whether the ratings are from verified purchasers, and factors that establish reviewer trustworthiness. Please try again later. dbax 5.0 out of 5 stars Id recommend use with a volume pedal if you dont already own one.Had I to do it over again I'd skip the OD-20 and shoot for the GT-10B. A hundred times the pedal for four times the price.It is great in front of a tube amp to give tons of distortion variety, from SRV tube-screaming to Scholz's Rockman to Hendrix Fuzz and Satch sustain. If you don't want to take 15 pedals to a gig, this is a great alternative!I found that at least four of the key sounds from this pedal where foundational. That is, those four sounds will get me a lot of mileage and are not once-in-while special effects. So, for me this is four pedals in the space of two and about the price of two, and that's a bargain. From there, all the extra sounds are the occasional special effects that are the cherries on top.

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The controls are logical and provide a fair amount of flexibility. In some cases, the controls give you more variations then are available on the corresponding single-size pedal (a juicy benefit). In other cases, like that of the MT-2, the mid-range controls aren't there, so middle boost or scooping is less tweak-able (a minor inconvenience). So, this would be the second improvement I would ask for from BOSS: a middle control (perhaps both level and frequency, please). As for the quality of the tone.If you are a boutique-pedal junkie, then this won't be your main sound, but it might be all those others that you need to fill in the holes.Any minor differences that you perceive - or more likely think you perceive - can be tweaked with your EQ. In those cases you have to tweak things properly and use your brain a bit to get a dead-on reproduction of those pedals - but it is by no means difficult to do and if you understand how to use tone controls properly you can do it in seconds. I don't know why Boss can develop and manufacture sophisticated digital signal processing models such as found in the OD-20, but still can't manage to put a simple, cheap, true bypass circuit in their pedals. I suspect it's because Boss makes a separate line switching pedal (the LS-2 Line Selector) that they don't want to make semi-obsolete by putting true bypass in their other pedals. For that reason, I don't want to give this thing a full 5 stars but think it deserves better than 4 stars, so I'm rounding up to 5 because there's no 4.5 stars option here. If you play a fair bit with the pedal disengaged and are really picky about your tone, then you'll want to get a line switcher so you can truly bypass the OD-20 when you're not using it. Other than that, this pedal is a stompbox dream - it really does have accurate models of all those pedals in one box. It is driven by 6 AA batteries or external power supply (recommended) and it feels stable and sturdy in its construction.

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The trick here is that it does it ONLY on notes below the D-string. This is very useful for metal players who wanna add that extra depht in the sound. It's easy to adjust the settings on-the-fly and the memory bank system is a piece of cake to understand. It doesn't state anywhere that this pedal is true-bypass, but my opinion is that it's true, since I can't hear a difference in the core sound whether it's connected or not.The amplifier section is intended to use straight into the mixing console, and this works - but there is better amp emulators around. Boss own pedals emulated are very good - I can't tell no difference, this fact alone make's it a reason for buying this instead of a DS-1 and a OD-2 for instance. The emulation of Ibanez tubescreamer is also great. Pro-Co's Rat is close but I think the original sounds a little bit warmer.It feels reliable, sturdy and it's good-sounding.For this price, You get so much distorsion that You can simulate nearly every tone possible. There are'nt any particular drawbacks with this unit, except for those listed below. If You are on a budget and is supposed to buy 1 distorsion box, add the extra money and You will have 22 instead! Apply The Promo Code:Stellar Audio-Technica performance - outst. Apply The Promo Code:The AEG50 features a spruce top with sapele back and sides a tonewood pairing that delivers a sweet. The AEG50 features a spruce top with sapele back and sides a tonewood pairing that delivers a sweet,. The AEG50 features a spruce top with sapele back and sides a tonewood pairing that delivers a sweet,. Shop Online with lowest prices in our Music Instruments Online Store. Besides Boss classics like the OD-1 and MT-2, the OD-20 also emulates vintage effects like the Rockman, Fuzzface, Tubescreamer and more. Use the Attack Shape parameter for custom tailor the overdrive to your playing style or use the Heavy Octave for unison octaves below when using the 4th string, 4th fret or lower.

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Once you have picked your favorite effects, save 4 of them for instant recall or use in manual mode for realtime alterations. Let us know YOUR RECENTLY VIEWED ITEMS Browsing History ON Clear History Not responsible for typographical or illustrative errors. Stay up to date with Roland news, artists, promotions, events, and more. Provides an overview of key features, functions and operational tips. Featuring COSM technology, this Boss guitar pedal ensures that you can recreate the raw sound of classic overdrive pedals. The Amp Control jack of the Boss OD-20 pedal lets you remotely switch the amphere channels. With the Attack Shape control, you can easily adjust the response of this distortion guitar pedal according to your playing style. Moreover, you can conveniently store your customized settings with the 4-user memory of this Boss guitar pedal. It was quite a treat to play thru all the vintage overdrive and distortion tones of years past and to tweak several of them to a even deeper levels of fat or thin tones. All tone and selection knobs worked flawlessly. No annoying noises. I feel fortunate to have track down a dual pedal in such good shape (I had been searching for over a year) both in looks and functionality (all mint close to brand new). It came in original box with appropriate serial numbers and manual. The thing is--the price was right in line with today's going price for used BOSS OD 20. Though BOSS sold it as a thing that would give you all or most of their distortion and overdrive pedals in one, I find the OD-20 doesn't really emulate them very well. The original version of those pedals sound better to my ears. It failed at those things so was discontinued. What the OD-20 does really well, at least mine, is emulate Fuzz Face, Octave Fuzz, Big Muff and Rat very well. In other words this box is best used for wild distortion, fuzz and octave effects. A low octave boost pot adds heavy depth on tap. There's a BOSS MT-2 emulation that also rocks.

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Switching between them is not the most elegant, I don't recommend it if you're trying to switch between 2 sounds back and forth quickly. But if you set your amp at a warm clean sound, you can go from that to wild mad fuzz in a stomp. Add an overdrive pedal for something in between or use a clean and an overdrive channel in your amp. Did I mention the OD-20 can also switch your amp's channels for you. Great if you don't have the original switch for your two channel amp. It's sturdy and reliable, it's a tank. Non stop fuzz face and big muff emulation. Pretty straight forward other than the programing and even that wasn't too bad once you play with it a little and get use to it. Very versatile and sounds great. Shipped right away and came on time. I dig it I'm sure you will too. I do suggest getting a power cord (about 10 bucks) or expect to use a lot of batteries. Good choice for beginners. Rather than switch guitars for a seven string for a song or two or play a baritone the heavy octave feature is incredible, creating a thick heavy sound without mud. The overdrives and distortions are some of the best modeled I've ever heard, way beyond line 6. Perhaps it is because Boss only really used COSM to recreate their own signature pedal sounds. Verisign. You can even switch amp channels remotely using the OD-20's Amp Control jack. You get all the BOSS classics like the OD-1, DS-1 and MT-2, plus boutique pedals and many other classics—22 in all. There’s also six new overdrive and distortion sounds ranging from mellow crunch to bottom-heavy distortion and screaming metal. New “Attack Shape” and “Heavy Octave” Knobs Using Attack Shape, guitarists can adjust the overdrive model’s response to match their playing. So if you’re really digging into the strings, the OD-20 will be right there with you.

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Alem disso, traz mais seis “drives novos”, em categorias de distorcao, saturacao e boost, todos baseados em saturacao de amplificadores, o que acaba por enquadra-lo tambem na classe de simulador de amplificadores, mesmo que essa nao seja sua funcao primordial.E mais uma, manual, que pode ser editada a qualquer momento. Bem util por sinal!!!MUITAS opcoes.Se for free lancer em estilos musicais, vale muito a pena o investimento!Sera mais para definir o som mesmo, e nao ficar com som abelhudo quando gravado.No geral, concordo com voce em quase tudo. Vou reforcar alguns pontos:Ja tinha um BD-2 quando comprei o OD-20, e a simulacao e bem parecida (nao igual). Tambem comparei com gravacoes do OD-1, e a simulacao soou muito bem. Por outro lado, nao gostei da simulacao do Guv'nor.Se voce tocar uma nota aguda numa corda grave, o som tambem nao sai oitavado. Com o attack mais duro, ele corta o sinal logo que voce comeca a palhetar, fazendo com que ele apareca ja com o volume alto. Fica mais facil de entender mostrando o formato da onda. Na verdade, e uma coisa bem sutil, eu so entendi exatamente como funciona quando gravei e olhei para o que eu tinha gravado. Os outros 2 pedais que eu tenho eu so mantenho porque ja tinha antes de ter este.Paguei 400,00 em 12x no mercadolivre (via Mercadopago) e o pedal esta muito novo, sem nenhum risco. O vendedor pelo jeito falou a verdade quando disse que so havia usado 5 vezes. Foi minha grande compra do ano (afora o TS9DX por 180,00, o DriveMaster por 150,00 e o Fd-10 da Morley por 199,00). Ontem cheguei em casa e fui testar o bicho: e um pedal excelente. Tenho varios pedais analogicos e as distorcoes do OD-20 nao deixam a dever a ninguem. COm o OD-20 esses problemas somem. COm relacao as simulacoes, a do Tube Screamer e identica ao meu TS9DX, as demais deistorcoes da Boss sao MUITO parecidas, e a do RAT, Big Muff e FuzzFace merecem aplausos.

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O fato de ter cinco opcoes de drive (manual e memorias de 1 a 4) garantem uma boa versatilidade de sons. Testando ele lado-a-lado com os outros pedais descobri que ele faz as vezes de todos, contudo nao consegui um som parecido ao do Doctor Drive (talvez pela malfaladas valvulas que o pessoal insiste em dizer que estao ali so para enfeite).O que parece que incomoda e o fato de ser digital. Mas se voces dizem que tudo bem, entao tudo bem! Mas se voces dizem que tudo bem, entao tudo bem! Porra cara, tem muita coisa digital no mercado q e boa!Se gravar com esse OD-20 e dizer q foi gravado com algum pedal original q ele emula, ninguem vai saber ao certo.Veja por kit?s de bateria como DKFH e fora que voce nao precisa mais de um teclado agora para tocar, basta ter o plugin daquele Moog maravilhoso espetar seu controlador midi furreca de 500 reais e voala !Mais hoje depois de 20 anos a tecnologia para efeitos e simulacoes esta simplismente otima, muito satisfatoria e para o musico moderno e o que a. Para que vou levar meu cabecote e 2 caixas gigantes para fazer um som que pego minha Board e plugo na mesa em 2 canais e vou ter o som bem proximo e muitos casos talvez ate melhor.Tambem tem os casos dos puristas. Conheco muitos que dao o braco a torcer e admitem que e bom so nao gostam e nuncam comprariam e nunca usariam, normal.Tenho tocado com a banda que possui estilo proprio, por isso tenho ja um tipo de distorcao que eu uso mais, que e o OD-1. De vez em quando uso o OD-2 ou Crunch, e talvez um pouco do Tubescreamer.Pois bem, tenho um SD-1 e acho ele super bom.Ai, meu professor falo sobre a ME-50, disse q a diferenca era poca e talvez valasse mais apena por causa da variedade de efeitos. Em termos de distorcoes (variedade) e custo-beneficio, qual e melhor, o OD-20 ou a ME-50.Se vc quer ter so pedais, vai de OD-02. Se quer ter pedaleira, e ter tudo sobre controle num so equipamento, vai de Me-50. Ambos sao muito bons, mas com finalidades distintas.

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Eu ja deixei pedaleiras de lado faz tempo, e hj so junto latinhas hahaha onde a qualidade sonora e muito superior, alem dos que, vc ja tem ali, nos seus pes o som pronto, sem ter que ficar mexendo em equalizacao, oscambau como nas pedaleiras. Quanto a impedancia, nao faz mal nao ter varios pedais, mas dai entramos na discussao do tal True bypass e Buffer (sistemas de acionamento dos pedais), onde no primeiro o som da guita passa intacto com o pedal desligado, e no segundo, em que o som passa pelo circuito do pedal mesmo com ele desligado. As vantagens e desvantagens de um e outro vc pode conferir fazendo uma busca. Olha, com relacao ao OD-20, vc tem tudo que precisa em materia de distorcao, overdrive e fuzz, pois ele simula, com muita qualidade pedais renomados. Alem de ter 4 bancos de memoria. Quer ter um unico pedal matador, pega o OD-20. O meu eu vou ter q vender p pagar umas contas, se tiver interesse me manda uma MP! Valeu. Comprei um OD-20, e ele chega terca feira. Com relacao a qualidade do pedal isso nao tenho duvidas (senao nao o teria comprado ne?!) mas a saida de line dele e mto ruim quanto falam msm.Ah eu toco de tudo um pouco (ministerio catolico) e ainda tenho que estudar um bocado pra ser chamado de guitarrista msm! Hehe! E so que ele e um simulador de pedais. Por isso, ligar ele em linha e exatamente como ligar um DS1 (ou TubeScreamer, ou.) numa placa de som para gravar. Som abelha sem fim. Um preamp nao resolve. Tem em pedaleiras, e tem em softwares como o Guitar Rig. Onde voce vai ligar. A proposito, meu OD-20 esta la do outro lado do mundo.Parecem simples de montar, de repente ajudam quem quer gravar com pedais direto em linha. Advanced G'day ( Sign in to bid or buy) eBay Deals Coles on eBay Help Sell Watch List Expand Watch list Loading. Something went wrong. Guitar Fuzz Pedals Boss Guitar Effects Pedals Ernie Ball Basses Strings Boss Guitar Amplifiers Fender Generic Musical Instrumen. Boss Generic Musical Instrument.

Boss Electric Guitar Distortion.User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. It can be a tough challenge to decide and to find pedals that suits your rig and purpose. The wrong pedal for your amp and guitar, can do more harm than good and cause a lot of frustration. Do I want boost, overdrive, distortion or fuzz. Will I be using two or more gain pedals at the same time? Transparent and mids scooped and on the other side of the spectrum, compressed and mids boosted. These pedals can sound horrible on an uncompressed, mids scooped Twin or smaller bedroom amps, but creamy and smooth on a compressed and mids boosted Marshall. The idea was to capture the tone of those huge tube stacks in all their glory in a small box. The design with new technoligy, was also more relieable than the previous silicon and germanium transistors. Read more about how to choose the right pedal for your amp here. This can either be to produce a volume or gain boost for solos or, like David does, to blend the character of two pedals, for more saturation and sustain. David often does this with either a Muff and Powerbooster or Tube Driver. Try placing the overdrive pedal in front of the Muff but be careful with the total amount of gain and volume. Some Big Muffs, like the Sovtek models and clones, are often best alone. As can distortion pedals like the Rat and similar, like the Buffalo Evolution, TopTone G2 etc. The perfect blend will produce a great tone. Too much, and everything sounds like crap. Trust your ears and know your gear. Smaller, typical bedroom setups are often better matched with overdrives with more midrange and compression. Be aware though that this pedal demands a loud tube amp and can sound a bit flat and fizzy on lower wattage and volume. The 18V has more headroom compared to the 9V, although both delivers a wide range of tones from clean boost to near fuzz.It sounds huge, with tons of headroom and a massive low end.

You can easily crank it up for smooth almost fuzz-like tones and the powerful 2-band EQ makes it easy to tailor the tones to match your amp and guitar. Of all the Powerbooster clones out there, I find this to be the most authentic sounding, with much of the same character and mojo as the original. See my full review of the Bananaboost here. It has a huge headroom but can easily be set up for some nice overdrive and fuzz tones. It’s slightly darker and the top end noticeably smoother, making this an excellent choice for smaller amps and bedroom setups. See my full review of the Power Booster here.It has a distinct vintage flavour and of all the clones out there, perhaps the smoothest fuzz tone of them all. It is also slightly more compressed than most models, which can be tricky on already compressed amps but on the right amp, you’ll get a very smooth and well balanced character. See my full review of the Overdriver here. Of all the clones listed here, this one has the most headroom, with an almost twangy character. The pedal is packed with modern features, including a germanium gain stage and pre-gain. Use it as a stand alone overdrive pedal or as a clean booster to add life and character to your amp and pedals. See my full review of the Overdriveboost here. The Fire Bootle is an incredibly dynamic pedal that can make your guitar and amp sound like a million bucks and bring out nuances in your tone and playing that you thought never were there. If you’re looking for a booster for your Muff, then look elsewhere. If you want a powerful tool that will probaly change your conception of tone then this is it. See my full review of the Fire Bottle here. Add a mids boost and your guitar will cut through the mix like a sharp knife. The Shine Boost offer both. A crystal clean volume boost and, by the flick of the switch, volume boost and mids boost similar to the EP booster.

This pedal is an awesome tool for adding life to your amp and for boosting fuzz and Big Muffs, that often has a scooped character.Use it as a transparent volume booster or, add a bit of dirt for tube-like compression and grit much like the EP preamp. The Mini Driver can either be used to boost other pedals, drive your tube amp or as a stand alone mild overdrive. Excellent alternative to the Colorsound Powerboost or for simply adding a bit of life and sparkle to your tones. The tube makes a huge difference compared to most other overdrives, adding a unique warmth, compression and dynamics. Like the Powerboost, this one demands a loud tube amp. Not a lot of headroom, although lower gain settings allows a nice, crunchy clean boost. The current 2006 model also has a bit more top and gain, compared to older models, such as the Chandler. Using different tubes, like a 12AU7, can change the gain structure dramatically and add lots more headroom and warmth.The Tube Driver can often sound a tad fizzy in the top end and flabby in the lows but the TD-X sounds perfectly balanced and the top end in particular, sound smooth and nicely rounded off for an overall warmer and more dynamic character. Like the Tube Driver, the TD-X has a nice headroom and plenty of gain, when you crank it up. To me, the TD-X sounds much smoother and perhaps more linear when you set it up for distortion tones, which makes it more versatile for most setups. See my full review of the Buffalo FX TD-X here.Like the Tube Driver, the Crayon can deliver anything from clean boost to tube-like overdrive and distortion and its two EQ controls allow you to shape the tone to any amp. The Crayon can also be tweaked for more vintage tones similar to the Colorsound Powerboost that David Gilmour used during the mid 70s. The circuits are identical.

The active tone controls makes the Tube Driver very bright and aggressive, but roll them all the way down, like Eric does, and increase the gain for aTube Screamer-ish overdrive with lots of compression and midrange. It has a transparent, bright tone with lots of tube-like compression and warmth and a gain character ranging from clean boost to distortion. What I like about this pedal is that the more you increase the gain and tone, the more compressed it gets, which means that it will never get thin and fizzy. An excellent alternative to the similar sounding Tube Driver, especially for bedroom setups. I strongly recommend the Robert Keeley modified version for a smoother and warmer tone.Nothing really beats these two in terms of smooth, creamy overdrive and endless sustain. Of all the different Ibanez and Maxon models, the TS9 and OD808 are the best sounding. Check out some of the many clones available as well, like the MJM Phantom Overdrive and Way Huge Green Rhino for a bit more lower end and gain, as well as a few more features. At least not with the typical Gilmour settings. The Carrera address that and offer the same tube amp tones and character, with more mid range and compression. This pedal is extremely responsive and dynamic and ideal for bedroom setups and scooped amps. See my full review of the Carrera here.Both are more or less based on the elusive Dumble amp, which had an enormous amount of mid range. The Tree of Life blends both pedals perfectly together, creating a versatile mix of low end, mid range, headroom and gain. You can easily use this pedal for beefing up a dull clean tone, boosting other pedals or as a dedicated overdrive or distortion. The high amount of mid range makes it fit almost any amp and bedroom setup. See my full review of the Vick Audio Tree of Life here.Not an obvious Gilmour pedal perhaps but the Dover Drive easily covers all of David’s recent overdrive tones, from Division Bell to present.

It’s impossible to dial in useless or harsh tones with this one. It’s just creamy sweetness all the way and personally, this is my new go-to overdrive for recording sessions. See my full review of the Dover Drive here.Like the original, the Soul Food provides a wide range of tones, from fat, transparent cleans to creamy overdrive saturated with warm mid range. It can sound a bit boxy and dull on its own but it cuts nicely through a dense band mix and pairing with a cranked amp will produce the sweetest sustain. An excellent choice for any amp and bedroom setups in particular. The pedal has lots more gain and lower end though, which makes it work just as good as a distortion with a RAT-ish tone. A toggle switch allows you to add a bit more top end and presence, taking the pedal towards a Tube Driver.The Glove offer the same huge tones, with a distinct tube-like character, fat lows and a smooth mid range that will match any amp.Highly recommended for bedroom setups and mids scooped Fender and Vox amps in particular. See my full review of the SviSound OverZoid here.The Deco replicates the compression, saturation and overdrive you would get from plugging your guitar into those old tape machines. Either as a stand alone overdrive or as a booster, the Deco provides super smooth tones from clean to moderate overdrive, nicely compressed and with enoygh low end. Like those old tape machines, the Deco also offer amazing sounding flanger, chorus and delay. See my review of the Deco here.His 1989-90 setup also featured a Tube Screamer. This has always been my go to pedal and it works perfectly on any setup for any genre. The tone ranges from warmth overdrive to creamy tube-like distortion to screaming fuzz. It has a pronounced mid range and all the sustain in the world. There are many clones on the market, with different modifications, but the old black box keeps up with most of them.